Making Friends: The Essence of Marketing
Making Friends: The Essence of Marketing
All of marketing ultimately comes down to one thing: creating relationships. If you don't understand this basic principle, you will ultimately fail as a book marketer. Indeed, you will fail in life as well.
Think of it: What is publicity? It is simply creating relationships with people in the media who, if they like your product, idea, or service, will pass on that information to their audience in the form of reviews, interviews, stories, or notices.
Think of it: What is distribution? It is simply creating relationships with bookstores, wholesalers, and sales representatives who will make your books available to retail customers.
Think of it: What are rights sales? They, too, are based on creating relationships with key companies and people who can exploit those rights better than you can.
Think of it: What is editorial? It is simply creating relationships with authors, literary agents, and other people who can bring you good material to polish, design, and promote. All of book publishing ultimately comes down to creating relationships. Indeed, all of business operates the same way.
Wherever you look in business, relationships are what make things happen: networking, the old boy network, the new girl network, customer lists, sales reps visiting their customers, publicists talking with the media, luncheon meetings, conventions, trade shows, chat groups, newsletters, blogs, and more. They all have one thing in common: Their primary purpose is to enhance communication and further relationships.
To help you create better relationships and market your books more effectively, here are a few basic principles you should follow.
1. Create your Kremer 100 list. Don't try to be friends with thousands or millions of people. You can't do it. Focus on 100 key media and marketing contacts (if you don't have time to focus on 100, make the database 25 or 50 people). Develop this Kremer 100 database or list yourself. Find out what their addresses are. Also their phone numbers, fax numbers, email addresses, and URLs. Plus their cell phone numbers, perhaps even their home phone numbers. Your goal is to get to know their likes and dislikes, what moves them, and what they look for in a good story (if they are media) or a good product (if they are a buyer). You also want to get to know how they like to get info. Do they prefer email, fax, phone, or mail?
2. Be persistent. Once you've developed a database of key contacts, you must be in touch with them on a regular basis -- at least once a month. Tell them something new with each contact. If you ever get an opportunity to meet them in person, jump at the chance. But the key is continual follow-up. It makes all the difference in whether or not you establish a real relationship.
>3. Create a word-of-mouth army. Since 80% of all books are sold by word-of-mouth, your primary goal in marketing your books is to create a core group of people who will spark that word-of-mouth. I like to think of these people as the officers for your word-of-mouth army, because what you ultimately want to create is an army of people talking about your book. In that army, you'll have privates, corporals, sergeants, lieutenants, majors, colonels, and generals. The moment someone meets one of your authors, they've self-promoted themselves to at least a corporal. If they get an autograph, count them a sergeant. If they buy ten books for other people, promote them to lieutenant. You get the idea. In my 1001 Ways army, I have at least two five-star generals: Jack Canfield and Mark Victor Hansen. They've earned every star. [Note: If you don't like the analogy of an army, then think of it as a parade, or fan club, or party.]
4. Become a people person. At home in Taos, I'm a quiet shy fellow. Here, few people know who I am or what I do. But when I go out to speak or to attend trade shows, I become a new person -- a people person. Fortunately I enjoy that interaction with the public. If you are going to become a successful book promoter, you, too, will have to cultivate that fun feeling when you go out into the public. If you genuinely care about people, you will have no problem facing the public. Just open your heart and let it out.
When speaking to the Women Writers of the West conference several years ago, I realized that when I talked about creating relationships, I was really talking about making friends. Because that is what every good marketer really does: They make friends. When you begin to think of marketing in this way, everything about marketing books becomes more fun. Suddenly there is no foreignness, no fear, no feelings of inadequacy. We can all make friends. It's a talent we've had since we were little children. Use it.
John Kremer is author of 1001 Ways to Market Your Books and editor of the Book Marketing Tip of the Week ezine. He is also available as a consultant for publishers and authors who want help in creating their marketing plans, setting priorities, and discovering new markets for their books. For details on John's coaching services, see the following web page: http://www.bookmarket.com/consulting.htm.

I'm just curious how many potential clients/dates/customers would be bold enough to attempt to tear her number off her skirt. I'd be willing to try. I willing to make any sacrifice in researching markets and new advertising techniques.

Congrats to Encounter Books for deciding to no longer send review copies to the New York Times since the Times neglects their conservative-themed books anyway. Check out the publisher's explanation on their Encounter Intelligence blog at:
http://www.encounterbooks.com/books/encounter-bids-the-new-york-york-times-farewell.

Books as wallpaper -- Invest in a large number of leather-bound books in the same shade to create a wall of color. Note: Movie set decorators do this all the time. They often rent books from used bookstores like Strand in New York City.

A spot of color -- Have a monotone room? Pick out a few books in a striking color to add dimension. Several retail stores like Anthropologie and Urban Outfitters sell books but also use them to highlight color schemes for the clothing they sell (and to set a certain ambiance).

Books as furniture -- Use a book or a stack of books to create end tables, coffee tables, and pedestals. When I began self-publishing 25 years ago, I used cases of books to support a bed. Also see the book bar in the photo above.
Leni Leth, owner of Book Decor, a California company that specializes in refurbishing and selling leather-bound books, suggests forgetting the shelves, and instead using books as risers for candles and lamps, on coffee tables, and even in bathrooms.

Augment with books -- Try hanging books over the rungs of a ladder or lining the edges of a room with books.

Books as art -- When books were more rare, they were displayed face out. Take some favorite books and display them on bookstands. Many people use coffee-table books as decorative items on -- of all things -- coffee tables (actually, that's why full-color beautiful books are often called coffee-table books.
Note: The Associated Press (http://www.indystar.com/apps/ pbcs.dll/article?AID=/20080614/LIVING02/806140307/1007/ LIVING) also has a great article on using books as decor.
Finally, here's a great bookshelf blog (all about bookshelves!): http://theblogonthebookshelf.blogspot.com.

Want to know about how to sell books and other products with a soft sell approach rather than a crass hard-sell approach? Then check out the Soft Topic/Soft Sell Copywriting Secrets teleconference on Thursday, June 18th at 5:30 p.m. Pacific, 8:30 p.m. Eastern. The cost is only $10.00.
To sign up, go here: http://www.judithandjim.com.
In the April issue of Steve Harrisons Book Marketing Update, theres an article based on author John Kremers (1001 Ways to Market Your Book) thoughts on book titling. With so many of us involved in self-publishing POD and ebooks, I thought Id synopsize the recommendations.
1. Make your title memorable, since 80% of books are sold by word-of-mouth.
This really is the top consideration when creating a title for any book. I agree with this statement.
2. Short titles are best, most successful titles are around 5 words. Add a subtitle to expand and/or illuminate the information about your book.
While a short title, in most cases is best, I've seen many successful long titles. So the true rule here is this: The title should be the right length to describe what's in the book and yet provide the reader with the right motivation to buy the book.
3. Numbers in titles can be very effective for non-fiction, just as they are when writing headline copy.
Numbers can be effective, but 95% of titles, including the most successful, do not include numbers. Of course, my book does.
4. Include keywords for non-fiction titles. You want to put the main search terms for your subject in your title or subtitle, but dont use terms that are too generic.
A good title is more important than stuffing keywords, unless you are selling your book primarily online. Then keywords can be important.
5. Try inventing or coining a word for your title, but strive for conceptual clarity rather than showing off how clever you are. (I coined macromize for a promotion I did for a book about um, Wordstar macros years ago. I still like it. :)
Coining words for a title is an absolute no-no, unless the coined word is a brand or can be made into a brand. Even then, coining words is generally, almost always, not a good idea.
6. Try to think brandable - the Chicken Soup, Idiots and Dummies series represent genius-level book branding at its finest.
When critiquing titles, I always work to see if the title can be made into a brand. 99% of titles cannot be made into brands, but the few that can be are often very successful.
7. Dont try to do too much with your title. Think brand, then add the specific audience youre going after.
Don't try to do too much with your title. The purpose of a title, firstmost, is simple: Attract attention. Get the attention of the people who really need or would want the book.
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