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Making Friends: The Essence of Marketing

Making Friends: The Essence of Marketing

All of marketing ultimately comes down to one thing: creating relationships. If you don't understand this basic principle, you will ultimately fail as a book marketer. Indeed, you will fail in life as well.

Think of it: What is publicity? It is simply creating relationships with people in the media who, if they like your product, idea, or service, will pass on that information to their audience in the form of reviews, interviews, stories, or notices.

Think of it: What is distribution? It is simply creating relationships with bookstores, wholesalers, and sales representatives who will make your books available to retail customers.

Think of it: What are rights sales? They, too, are based on creating relationships with key companies and people who can exploit those rights better than you can.

Think of it: What is editorial? It is simply creating relationships with authors, literary agents, and other people who can bring you good material to polish, design, and promote. All of book publishing ultimately comes down to creating relationships. Indeed, all of business operates the same way.

Wherever you look in business, relationships are what make things happen: networking, the old boy network, the new girl network, customer lists, sales reps visiting their customers, publicists talking with the media, luncheon meetings, conventions, trade shows, chat groups, newsletters, blogs, and more. They all have one thing in common: Their primary purpose is to enhance communication and further relationships.

To help you create better relationships and market your books more effectively, here are a few basic principles you should follow.

1. Create your Kremer 100 list. Don't try to be friends with thousands or millions of people. You can't do it. Focus on 100 key media and marketing contacts (if you don't have time to focus on 100, make the database 25 or 50 people). Develop this Kremer 100 database or list yourself. Find out what their addresses are. Also their phone numbers, fax numbers, email addresses, and URLs. Plus their cell phone numbers, perhaps even their home phone numbers. Your goal is to get to know their likes and dislikes, what moves them, and what they look for in a good story (if they are media) or a good product (if they are a buyer). You also want to get to know how they like to get info. Do they prefer email, fax, phone, or mail?

2. Be persistent. Once you've developed a database of key contacts, you must be in touch with them on a regular basis -- at least once a month. Tell them something new with each contact. If you ever get an opportunity to meet them in person, jump at the chance. But the key is continual follow-up. It makes all the difference in whether or not you establish a real relationship.

>3. Create a word-of-mouth army. Since 80% of all books are sold by word-of-mouth, your primary goal in marketing your books is to create a core group of people who will spark that word-of-mouth. I like to think of these people as the officers for your word-of-mouth army, because what you ultimately want to create is an army of people talking about your book. In that army, you'll have privates, corporals, sergeants, lieutenants, majors, colonels, and generals. The moment someone meets one of your authors, they've self-promoted themselves to at least a corporal. If they get an autograph, count them a sergeant. If they buy ten books for other people, promote them to lieutenant. You get the idea. In my 1001 Ways army, I have at least two five-star generals: Jack Canfield and Mark Victor Hansen. They've earned every star. [Note: If you don't like the analogy of an army, then think of it as a parade, or fan club, or party.]

4. Become a people person. At home in Taos, I'm a quiet shy fellow. Here, few people know who I am or what I do. But when I go out to speak or to attend trade shows, I become a new person -- a people person. Fortunately I enjoy that interaction with the public. If you are going to become a successful book promoter, you, too, will have to cultivate that fun feeling when you go out into the public. If you genuinely care about people, you will have no problem facing the public. Just open your heart and let it out.

When speaking to the Women Writers of the West conference several years ago, I realized that when I talked about creating relationships, I was really talking about making friends. Because that is what every good marketer really does: They make friends. When you begin to think of marketing in this way, everything about marketing books becomes more fun. Suddenly there is no foreignness, no fear, no feelings of inadequacy. We can all make friends. It's a talent we've had since we were little children. Use it.


John Kremer is author of 1001 Ways to Market Your Books and editor of the Book Marketing Tip of the Week ezine. He is also available as a consultant for publishers and authors who want help in creating their marketing plans, setting priorities, and discovering new markets for their books. For details on John's coaching services, see the following web page: http://www.bookmarket.com/consulting.htm.


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An Author's First Steps in Marketing His Book
14 Feb 08:01

Here's another first small step in marketing a book:

Im at the early stages of marketing my book, Training Dana to Selling Success, so my success story is a humble one. Im also new at social media marketing. I only opened my Twitter account for my book at the beginning of this year. 0 followers is what I kept staring at on my Twitter page for weeks until someone told me, If you want followers, start to follow others. So I did. I Googled other authors who wrote on the same subject matter as my book and started to follow them. In one week I picked up 21 followers. I will continue to Tweet and hopefully see those current and future followers, turn into buyers soon. - Scott Moody, http://www.trainingdana.com

John's Comments: Well, that's a start. Very small start, but a beginning. Now you need to create more relationships with other people on Twitter and Facebook. Even more important, you need to create relationships with other websites that focus on sales.

An Author's First Steps in Marketing His Book
14 Feb 08:01

Here's another first small step in marketing a book:

Im at the early stages of marketing my book, Training Dana to Selling Success, so my success story is a humble one. Im also new at social media marketing. I only opened my Twitter account for my book at the beginning of this year. 0 followers is what I kept staring at on my Twitter page for weeks until someone told me, If you want followers, start to follow others. So I did. I Googled other authors who wrote on the same subject matter as my book and started to follow them. In one week I picked up 21 followers. I will continue to Tweet and hopefully see those current and future followers, turn into buyers soon. - Scott Moody, http://www.trainingdana.com

John's Comments: Well, that's a start. Very small start, but a beginning. Now you need to create more relationships with other people on Twitter and Facebook. Even more important, you need to create relationships with other websites that focus on sales.

Emily Dickinson, Robert Frost, Aleksandr Solzhenitsyn, and John Kremer
13 Feb 21:26
A few days ago, one of my Google alerts (for my name: John Kremer) sent me to Yahoo Answers where I discovered a student wanting some answers for an English test. Here are two of the questions from that test:

Which poem utilizes the poetic devices of imagery and rhythm?
A) John Kremers Waterfall
B) Emily Dickinsons Heart! We will forget him!
C) Robert Frosts The Road Not Taken
D) Aleksandr Solzhenitsyns A Storm in the Mountains

Which poem utilizes the poetic devices of repetition and rhythm?
A) Robert Frosts The Road Not Taken
B) Aleksandr Solzhenitsyns A Storm in the Mountains
C) John Kremers Waterfall
D) Emily Dickinsons Heart! We will forget him!

Now, that's some incredible company to be associated with. Me, Emily Dickinson, Robert Frost, and Aleksandr Solzhenitsyn.

The poem in question? See below:

Waterfall

a prose poem by John Kremer

I found the strangest waterfall in a narrow channel along a flat plain in the gully near my home. It was too flat for a fall, and yet I heard the unmistakable gurgle of a waterfall. So I crawled down into the belly of the gully to check it out more closely.

Even at close range, the water still appeared to run across a plain without a fall. But then I saw what looked like a hole in the middle of the flowing stream. So I picked up a stick to poke around to check how deep it was. Well, in doing so, I upset the hole and the gurgle and everything. Whatever hole might have been there I blocked, then plugged up, then eliminated altogether. Whatever fall might have been there, I leveled. Whatever channel might have been there, I eroded. I ended up with a flat alluvial plain, flowing smoothly, making no soothing gurgle, and loaded with mud, mud, mud.

The whole thing was just a result of the uncertainty principle, which simply says that you can't have your cake and eat it too.

The moment you touch something, you change it irreversibly, and forever. Any contact of any kind with anything results in change change both in the thing and in you. You're never the same again. You can't be. And neither can it.

But that's the beauty as well as the horror. It's frightening sometimes to think of the power we have to change each other, to change a small part of the world. But that's the beauty as well. That opportunity to create an entire new world through every small change we make that opportunity is glorious, and one I'd never pass up, not for all the undecaying gold in the world.

I destroyed that waterfall today and, in so doing, I lost something. But I gained something, too. I gained contact. I touched, and though I somehow destroyed by that touch, I also created something perhaps no better, maybe worse, but something that now carries a part of me forever.

That's always something more.

And that something more is precious.

Emily Dickinson, Robert Frost, Aleksandr Solzhenitsyn, and John Kremer
13 Feb 21:26
A few days ago, one of my Google alerts (for my name: John Kremer) sent me to Yahoo Answers where I discovered a student wanting some answers for an English test. Here are two of the questions from that test:

Which poem utilizes the poetic devices of imagery and rhythm?
A) John Kremers Waterfall
B) Emily Dickinsons Heart! We will forget him!
C) Robert Frosts The Road Not Taken
D) Aleksandr Solzhenitsyns A Storm in the Mountains

Which poem utilizes the poetic devices of repetition and rhythm?
A) Robert Frosts The Road Not Taken
B) Aleksandr Solzhenitsyns A Storm in the Mountains
C) John Kremers Waterfall
D) Emily Dickinsons Heart! We will forget him!

Now, that's some incredible company to be associated with. Me, Emily Dickinson, Robert Frost, and Aleksandr Solzhenitsyn.

The poem in question? See below:

Waterfall

a prose poem by John Kremer

I found the strangest waterfall in a narrow channel along a flat plain in the gully near my home. It was too flat for a fall, and yet I heard the unmistakable gurgle of a waterfall. So I crawled down into the belly of the gully to check it out more closely.

Even at close range, the water still appeared to run across a plain without a fall. But then I saw what looked like a hole in the middle of the flowing stream. So I picked up a stick to poke around to check how deep it was. Well, in doing so, I upset the hole and the gurgle and everything. Whatever hole might have been there I blocked, then plugged up, then eliminated altogether. Whatever fall might have been there, I leveled. Whatever channel might have been there, I eroded. I ended up with a flat alluvial plain, flowing smoothly, making no soothing gurgle, and loaded with mud, mud, mud.

The whole thing was just a result of the uncertainty principle, which simply says that you can't have your cake and eat it too.

The moment you touch something, you change it irreversibly, and forever. Any contact of any kind with anything results in change change both in the thing and in you. You're never the same again. You can't be. And neither can it.

But that's the beauty as well as the horror. It's frightening sometimes to think of the power we have to change each other, to change a small part of the world. But that's the beauty as well. That opportunity to create an entire new world through every small change we make that opportunity is glorious, and one I'd never pass up, not for all the undecaying gold in the world.

I destroyed that waterfall today and, in so doing, I lost something. But I gained something, too. I gained contact. I touched, and though I somehow destroyed by that touch, I also created something perhaps no better, maybe worse, but something that now carries a part of me forever.

That's always something more.

And that something more is precious.

Author Book Marketing Success: Let Your People Know!
08 Feb 23:22


The most successful thing I have done to promote my book is to send out announcements to some of my former patients informing them that I had written a book about diabetes and for them to please let their friends who have diabetes know about my book. I did not specifically ask my patients to buy the book but only to encourage their appropriate friends. I figured my former patients would buy my book if I made them know it was available. As it turns out about a quarter of them did.

In explaining the pathophysiology of type 2 diabetes, I use terms everyday people can understand such as rusty hinges and the UPS guy, WD-40 and sandpaper. When people leave my classes, they finally understand what is wrong with them, what is going on in their body. They frequently tell me that this is the first time they've had it explained to them where they could understand it.


- Milt Bedingfield, author of Prescription for Type 2 Diabetes: Exercise (http://www.TheExerciseDiabetesLink.com)
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